“Still Life” Hiroshi Sugimoto

Pace Gallery has organized a photo exhibition of Hiroshi Sugimoto, a Japanese photographer (b. 1948 in Tokyo) “Still Life” which is part of Dioramas series, which takes place at 6 Burlington Gardens next to the Royal Academy of Arts.

13 large-scale works, all gelatine silver prints, are displayed to the public in a spacious room in which all the pieces co-exist and complement each other. Even though the space is large, it fills with visitors quickly.

Photographs of dioramas found in natural history museums, the images play with the viewer’s perception of reality as well as photography’s supposed objectivity. As Sugimoto reveals on his own website: “Upon first arriving in New York in 1974, I did the tourist thing. Eventually I visited the Natural History Museum, where I made a curious discovery: the stuffed animals positioned before painted backdrops looked utterly fake, yet by taking a quick peek with one eye closed, all perspective vanished, and suddenly they looked very real. I’d found a way to see the world as a camera does. However fake the subject, once photographed, it’s as good as real.”

The central piece “Olympic Rain Forest” is an extremely large (185.4 cm x 477.5 cm) photograph of a forest, which Sugimoto had to print in 4 sections. The 1st edition of 5 was sold for $400,000 before the opening of the show; however, if someone is interested in buying one, another edition can be imported upon request.

“Olympic Rain Forest”, 2012, 185.4x477.5 cm, 2/5

“Olympic Rain Forest”, 2012, 185.4×477.5 cm, 2/5

“Birds of South Georgia”, 2012, 119.4x185.4 cm, 1/5

“Birds of South Georgia”, 2012, 119.4×185.4 cm, 1/5

“Galapagos”, 1980, 199.4x210.8 cm, 1/5

“Galapagos”, 1980, 199.4×210.8 cm, 1/5

The large size of the works allows the viewer to plunge into nature and almost breathe in the fresh air. Nature is seen very fragile and create an atmosphere of harmony. It is fascinating how a setting from a museum can look so natural and alive.

“Pennsylvanian Bay”, 1980, 199.4x210.8 cm, 1/5

“Pennsylvanian Bay”, 1980, 199.4×210.8 cm, 1/5

Unlike Ansel Adams, who also creates bold black and white photographs of nature, Sugimoto’s photographs look like if they were paintings, the lines are blurred and you can almost see the brushstrokes.

Close-up of “Pennsylvanian Bay”, 1980, 199.4x210.8 cm, 1/5

Close-up of “Pennsylvanian Bay”, 1980, 199.4×210.8 cm, 1/5

Close-up of “Birds of the Alps”, 2012, 119.4x171.5 cm, 1/5

Close-up of “Birds of the Alps”, 2012, 119.4×171.5 cm, 1/5

All the photos are black and white, which allows you to concentrate on the landscapes and wildlife rather then be distracted by the bright colours.

Visitors are absorbed in the exhibition and discussing photographs’ composition, tones and perspective.

Visitors in front of “Wapiti”, 1980, 119.4x210.8 cm, 1/5

Visitors in front of “Wapiti”, 1980, 119.4×210.8 cm, 1/5

The photographs are pleasant to look at, bring an air of calm to the viewer. Personally, I enjoyed the show and will return to see it again. It gave me a moment of peace in a dynamic everyday life.

More academic version of review is also available at ArtWorldNow.

2 thoughts on ““Still Life” Hiroshi Sugimoto

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s